I used the Wacom tablet to trace some hair and face contours, in preparation for parting with the scan layer. I turned off the scan layer to see how I was doing, and was very pleased with the airy look in the hair. I feel reluctant to tighten this up much more. In the fantasy art market, work is usually very tightly rendered and finished...I'll probably hurt my marketability by staying this loose. Well, the beauty of digital work is that as I cover the loose undersketch with tighter layers, I can still keep the loose version as a separate file. Even though I'll probably tighten this up a lot more, I definitely want to preserve the flowing, strokey feel of this early stage.
I listened to songs by Carl Peterson and Marc Gunn while working on the above image. If you want to preview or buy what I listened to on iTunes, use the song information in the screencap. "My Titania" captures the essence of gothic, haunted, musty beauty ... like stumbling across Great-grandmother's forgotten music box in an attic. "Mary Ann" contains lyrical guitar phrases that are sweet and heart-twisting. This song created a sense of bliss for me as I traced the outlines of this character's face and hair. She may be a demon, but she still has a soul.
Here's an example of a tightly rendered, finished product. (Although by fantasy art standards, this still has many "unfinished" areas.) My original intent was to paint the "lounging demon" in the same style as below...but we'll see what happens as the demon painting evolves.
I couldn't work long on this tonight because of freelance work, housework, and general wasting of time. I can't promise much for tomorrow...I'm probably going to go to a figure drawing session tomorrow evening.